Monday, August 9, 2021

Celebrating Shravan with Shiva -2

 Shiva Day Two




Hinduism or Sanatan Dharma is not only limited to one book or one set of philosophies. Over the rich scholarly history, Sages and scholars have developed, researched, and documented the truth they experienced with time and existence. 

It’s open to you if you want to attain God through logic, through books, through physical self-control, or through devotion. Every path has been tested, explained, and documented by Gurus. You can even choose a god with form or have a definition of God without form. That’s why Hindus believe in PLURALISM, many ways to one God.




Sunday, August 8, 2021

Celebrating Shravan with Shiva -1

 Shiva Day One




This Shravan month or Sawan Mahina, I am going to explore how the concept of God is treated in the Vedas and many other ancient scriptures. I have been always curious while being an informal student of philosophy, theology, and non-religious science to find my creator. I am just trying to find pieces of evidence in ancient texts across all religions about the various manifestations of God. I have picked on the Vedas as the oldest recorded scripture and find it evolutionary in defining the concept of God. To my logical reasoning and comparing with the knowledge of this millennium I have found some similarities.

Vedanta is a library of a research thesis that was documented in the last twelve thousand years. The ancient rishis of India were the ones who gave the maximum contribution to the Vedas and in return, they lived with the minimum.

It is also very auspicious for a good start or “Shubh Aarambh.” It is the holiest month of the year for the Hindus. According to Hindu scriptures, each day in the month of Shravan is considered highly auspicious and has a special spiritual significance.

·       Monday: It is dedicated to the worshiping of Lord Shiva. Lord Shiva is the ruler of the Moon.

·       Tuesday: It is dedicated to the worshiping of Mata Gauri. It brings good health and peace to their family.

·       Wednesday: It is dedicated to “Vithala” an incarnation of Lord Vishnu or Shri Krishna.

·       Thursdays: It is dedicated to the worship of Guru.

·       Friday: Dedicated to the worship of Goddess Lakshmi or Tulsi.

·       Saturday: It is dedicated to the worship of Shani Deva. It is known as Shravan Saturdays or Sampat Sanivara.

·       Sunday: It is dedicated to the worship of the Sun God. It is practiced since the Vedic times. 










Celebrating Shravan with Shiva Introduction

 

Celebrating Shravan month with Shiva 



With simple explanations, I am bringing forward the evolving Concept of God in Hinduism”. It is my contribution in the struggle to satisfy the human inquisitiveness with an activated intellect to identify the creator and its creation.

Shiva existed in every Yuga that created a concept of God. Hence Siva had many names in the evolving time. Some popular names associated with him are; Adiyogi, Shivalinga, Shankara, Rudra, Mahesh, Consciousness, Mahadev, Bholenath, and many more.

Shiva as Adiyogi

In the yogic culture, Shiva is not known as a God, but as the Adiyogi or the first yogi – the originator of yoga. The Adiyogi transformed himself into the Adi Guru. After many years, when the transmission was complete, it produced seven fully enlightened beings – the seven celebrated sages, who are today known as the Saptarishis.

Shiva as Shivalinga.

Shiva literally means “that which is not” (Vasudeva 2003); Shiva means “nothing”; Siva is the supreme depiction of God and is been worshipped in the oval or egg-shaped form of the Shivalinga. Shiva is formless, which means Shiva can assume all forms at will and is the pivot on which the entire universe turns

Shiva as Shankara

 Shiva is referred to as Shankara, when he is with his wife Goddess Parvathi, and their children (family man). There is a subtle difference between the Supreme Soul Shiva and Shankar the deity.

Shiva as Rudra

Shiva, Shankar, and Rudra are all different aspects or forms of the same divine energy. “Shiva” was called Rudra in Rig Veda and he was granted the post - “God of Destruction” Rudra with his glory and infinite energy protects and grants devotees his blessings.

Shiva as Mahesh

In Hinduism, cosmic functions of creation, maintenance, and destruction are personified by three deities typically Brahma the creator, Vishnu the preserver, and Mahesh (Shiva) the destroyer/regenerator; also known as Trimūrti

Shiva as consciousness

 Human life has evolved to its best with Matter, Energy, and Intellect in an allocated space and time. For an observer in an open domain, time and space become an illusion and in the absence of matter and energy, the intellect has no platform to exist but to get diffused with consciousness. This is the abode of Shiva.

 

 

Monday, June 8, 2020

Sanatan Vedic Hindu Dharma

A beautiful Damsel



A woman portrays wealth, beauty elegance Shakti and many other qualities in Sanatan Dharma which gives her a prime position as a ‘Devi’. She has attracted honorable men, saints, intellectuals, and devotees who regard her as Mata Shakti with a divine womb for creation.

One such beauty lived on the foothills of the Himalayas with exorbitant wealth, beauty, and knowledge. She inherited many such gifts from her admirers the great Rishi Munis, Vedantic scholars and Yogies. With the passing Yugas, she was the greatest attraction and many from other worlds came to associate with her. The chosen one got closer to create an everlasting relationship by showing her his devotion, love, respect, and memorized all her personal details with research and admiration. In the hope to inherit the wealth and the knowledge, he had undergone a stringent penance. Time is an illusion and he got trapped with the attraction of this beauty and Yugas passed by. In return, she felt protected secured with this handsome genius Yogi.

She was always dressed with jewelry with the three exquisite metals and precious stones from outer worlds besides possessing 4 exclusive diamonds on her stiletto heels.

She always walked on the rugged terranes exposing a silhouette with feminine curves and with the artistic movement of her body in a harmonious musical melody that attracted all that saw her. Her actions match her words reflecting her inner beauty. Each day she would go out with her companion to visit her admirer’s sharing knowledge and wealth. She was celebrated in the 14 planes (Lokas) and the 3 worlds.

As the yuga’s passed on there came a time when all men were just interested in her beauty and wealth. It was at the beginning of Dwapar Yuga as she was passing by with her companion, she encountered her worst fear, an attack on her wealth and beauty. There stood bearded men with daggers and not far away were men with guns. Convinced that she was protected by her beloved companion and many more she carried on with her journey then suddenly the attack. Seeing the attackers the companion with fear of the unknown, ran for his life leaving the beauty all alone. The bystanders stood looking without offering help.

Realizing that she was unaided she recalled her divine powers and with the jewelry, stiletto heels, and the glowing beauty she defended herself. The aggressive resistance made the enemy flee. Recovering from the occurrence she looked around and saw the onlookers stood, with their heads bowed in shame. Having realized that all was quite the handsome genius was back with words of sympathy to stand beside her. The onlookers dispersed seeing the companion rushing back.

It was here the beauty told him “In the time of need you ran away and now you are uttering the words of wisdom. May you please leave me I will defend myself from now on? What was the use of you remembering my details and praising me with kind words and giving me gifts with meditation to reach me?” You and your admirers are deserters in my time of need; it’s from now that I will exist as one entity. With disgrace, the handsome Yogi walked away with all the knowledge he shared with her and went into exile in The Himalayas.

Would you beautiful angels of this world like a handsome genius from this story who would remember all the birthdays, wedding anniversary valentine days buying diamonds gold, stiletto heels, and many more having bargained for your love yet flee with fear when needed the most? A pretty lady said “no”

If no, then remember Sanatan Dharma is that beautiful damsel, she has attracted all living entities with her knowledge, beauty, wealth, truth, and the womb of creation. Yes, Sanatan Dharma has a gift from the great thinkers Rushi Munies, Yogies, and Sadhus who has banked all their research, meditation, and knowledge with her. In the absence of matter and energy, she is conscious of that truth that incubates time. Sanatan Dharma always stood and walked confidently on a knife-edge or with the stiletto heels with 4 diamonds or the 4 Vedas and stood the test of time in the last 15000 years. The stiletto heels represent the strength of dharma it stands on The 3 precious metals represent wealth, which is spiritual wealth, materialistic wealth, and physical wealth. The harmonious musical melody is the vibration of the universe and that is none other than OM. Her existence limits her in the passing Yugas or the time that remains an illusion for the living. The man with daggers and guns were the invaders who constantly attacked Sanatan Dharma and the handsome genius Yogi is the Hindus of today not prepared to stand beside her in the fear of being attacked and has not come out from exile. The onlookers are the different sects in Hinduism who stay still and adore the attacks on Sanatan Dharma and bow their heads when the attack on Dharma has been ineffective. When all is done, Hindus of today would come out like brave warriors quoting the Vedic scriptures and join the corrupt secular critics in defaming Sanatan Dharma.

 ‘Each day she would go out with her companion to visit her admirer’s sharing knowledge and wealth’ which are the ceremonies and celebrations. Hence they are in a man’s blood. A celebration, sacrifice, worship, or a ritual when turned inward means cosmic identification and awareness with Sanatan Dharma. ‘The rugged terranes’ is Kaliyuga that she passed many times in the journey of the cyclic Yugas. “Silhouette with feminine curves” signifies that in the absence of untruth an outline invites one to seek truth with an attractive boundary given for self-realization. “The aggressive resistance made the enemy flee” Sanatan Dharma is a Kshatriya and will be at war when unjust is put to test hence none violence has no provision in Sanatan Dharma. ‘it’s from now that I will exist as one entity’ Truth has many branches yet one trunk with many roots and that truth is Sanatan Dharma.

It is futile remembering all the ceremonies, rituals, celebrations, events and being proud of the knowledge and existence of Sanatan Vedic Hindu Dharam when you cannot protect her against these attackers, looters, and critics of our Dharma?


In the words of Rabindranath Tagore “Where the mind is led forward by thee into ever widening thought and action Into that heaven of freedom, my Father, let my country awake.” Yes, in completing the journey to free ourselves from the bondage of the past let us now fight the corrupt secular forces. Jai Hind, Jai Bharat

Stories are the legendary history of our country ‘Bharat’ hence this thought was put in an imaginary entity personifying  Sanatan Dharma  and it was written with the inspiration derived from the poem “Where the Mind Is without fear” by Rabindranath Tagore

“Where the Mind Is Without Fear” is a pre-independent poem in which the poet sincerely urges to God to awake his fellow beings for the realization that the essential need to live in a free and united country. He wants his countrymen to awake and enjoy the life of full dignity and honour.




 


Sunday, September 2, 2018

16 Kalas of Krishna


THE SIXTEEN KALAS of Krishna


 1) Anna Maya (with cereals)
 2) Pranamaya (with breath)
 3) Mano Maya (with mind)
 4) Vigyanamaya (with knowledge)
 5) Anandamaya (with joy)
 6) Atishayini, (With Peace)
 7) Viparinabhimi (With Love)
 8) Sankramini. (With Creator)
 9) Prabhvi. (Able to do seemingly impossible task)
10) Kunthini,
11) Vikasini, (Great)
12) Maryadini, (Highly respected or with etiquette)
13) Sanhaladini, (Cheering, a source of happiness)
14) Ahladini, (Causing joy or delight)
15) Paripurna (Complete knowledge of all forms of awakening)
16) Swarupavasthit: (swarup + awasthith = established in his real self)


  • ·       The first five Kalas are present in every human being.
  • ·       With little effort, humans can perfect in three more kalas – 6 ,7 and 8
  • ·       Anybody who has the ninth Kala (Prabhvi) besides the first five natural Kalas and next three perfected Kalas, becomes the god.  As per scriptures, the ninth kalas Prabhvi means: KARTUM AKARTUM, which is able to do seemingly impossible tasks. Lord Narasinh is an example of this ninth Kala. Lord Narasinh has an altogether different appearance. He had a body of human and head of a lion. He appeared from a stone pillar that demon Hiranyakashipu had broken with a blow of his mace. It is not possible for an ordinary human being, only a God, having the ninth Kala Prabhvi, can do this.
  • ·       Among all these incarnations, only Bhagawan Krishna is full of all the sixteen Kalas.


 In this millennium Arts will become the most important career Encourage these skills which were highly recognised in the Vedic era. To learn, age has no restriction.

14 Vidyas (Techniques)


14 VIDYAS (TECHNIQUES)



                4 Vedas
1.  RigVeda
2.  SamVeda
3.  YajurVeda
4.  AtharvaVeda

·      
        4 UpaVedas (abodes of knowledge)
1.  ArthaShastra: Ancient treatise on statecraft, economic policy and military strategy.
2.  Dhanurveda: Science of archery
3.  GandharvaVeda: Treatise on performing arts, encompassing theatre, dance and music.
4.  Ayurveda: The word Ayurveda consists of the words ayus, meaning “longevity”, and Veda, meaning “related to knowledge” or “science”. Thus Ayurveda is the science of life.

·         6 Vedangas
1.  Shiksha: science of phonetics and phonology of Sanskrit, its aim is the teaching of correct pronunciation of the Vedic hymns and mantras.
2.  Kalpa: art of rituals
3.  Vyakaran: Sanskrit grammatical tradition of vyakarana.
4.  Nirukta: art of etymology, particularly of obscure words. It consists of brief rules (sutras) for deriving word meanings, supplemented with glossaries of difficult or rare Vedic words.
5.  Chhanda: study of Vedic meter in Classical Sanskrit poetry.
6.  Jyotish: system of astrology, traditionally consisting of three branches:
             1. Siddhanta: traditional Indian astronomy
             2a. Samhita
             2b. Medini Jyotisha: prediction of important events based on analysis of astrological dynamics in a country’s horoscope of general transit events such as war, earthquakes, political events, financial positions, elections etc. Vastu Shastra related matters, animals, portents, omens etc.
              3. Hora: predictive astrology based on analysis of natal horoscope and the moment a query is made.

64 Arts recommended in the Vedic system of receiving knowledge


What are the arts recommended in the Vedic system of receiving knowledge?

Here is a brief introduction to the 64 arts (kalas).


1. Geet vidya: art of singing.
2. Vadya vidya: art of playing on musical instruments.
3. Nritya vidya: art of dancing.
4. Natya vidya: the art of theatricals.
5. Alekhya vidya: art of painting.
6. Viseshakacchedya vidya: art of painting the face and body with colour
7. Tandula­kusuma­bali­vikara: art of preparing offerings from rice and flowers.
8. Pushpastarana: art of making a covering of flowers for a bed.



9. Dasana­vasananga­raga: the art of applying preparations for cleansing the teeth, cloths and painting the body.
10. Mani­bhumika­karma: art of making the groundwork of jewels.
11. Aayya­racana: art of covering the bed.
12. Udaka­vadya: art of playing on music in water.
13. Udaka­ghata: art of splashing with water.
14. Citra­yoga: the art of practically applying an admixture of colours.
15. Malya­grathana­vikalpa: art of designing a preparation of wreaths.
16. Sekharapida­yojana: art of practically setting the coronet on the head.
17. Nepathya­yoga: the art of practically dressing in the tiring room.
18. Karnapatra­bhanga: art of decorating the tragus of the ear.
19. Sugandha­yukti: the art of practical application of aromatics.
20. Bhushana­yojana: the art of applying or setting ornaments.
21. Aindra­jala: art of juggling.



22. Kaucumara: a kind of art.
23. Hasta­laghava: art of sleight of hand.
24. Citra­sakapupa­bhakshya­vikara­kriya: the art of preparing varieties of delicious food.
25. Panaka­rasa­ragasava­yojana: the art of practically preparing palatable drinks and tinging draughts with red colour.
26. Suci­vaya­karma: the art of needlework and weaving.
27. Sutra­krida: art of playing with thread.
28. Vina­damuraka­vadya: art of playing on lute and small drum.
29. Prahelika: art of making and solving riddles.
30. Durvacaka­yoga: art of practicing language difficult to be answered by others.
31. Pustaka­vacana: art of reciting books.
32. Natikakhyayika­darsana: the art of enacting short plays and anecdotes.
33. Kavya­samasya­purana: the art of solving enigmatic verses.

34. Pattika­vetra­bana­vikalpa: the art of designing preparation of shield, cane and arrows.
35. Tarku­karma: the art of spinning by the spindle.
36. Takshana: art of carpentry.
37. Vastu­vidya: the art of engineering.
38. Raupya­ratna­pariksha: art of testing silver and jewels.
39. Dhatu­vada: art of metallurgy.
40. Mani­raga jnana: the art of tinging jewels.
41. Akara jnana: the art of mineralogy.
42. Vrikshayur­veda­yoga: art of practicing medicine or medical treatment, by herbs.
43. Mesha­kukkuta­lavaka­yuddha­vidhi: the art of knowing the mode of fighting of lambs, cocks and birds.
44. Suka­sarika­pralapana: the art of maintaining or knowing conversation between male and female cockatoos.
45. Utsadana: the art of healing or cleaning a person with perfumes.
46. Kesa­marjana­kausala: art of combing hair.



47. Akshara­mushtika­kathana: the art of talking with fingers.
48. Dharana­matrika: art of the use of amulets.
49. Desa­bhasha­jnana: art of knowing provincial dialects.
50. Nirmiti­jnana: art of knowing prediction by heavenly voice.
51. Yantra­matrika: art of mechanics.
52. Mlecchita­kutarka­vikalpa: art of fabricating barbarous or foreign sophistry.
53. Samvacya: art of conversation.
54. Manasi kavya­kriya: art of composing verse
55. Kriya­vikalpa: art of designing a literary work or a medical remedy.
56. Chalitaka­yoga: art of practicing as a builder of shrines called after him.
57. Abhidhana­kosha­cchando­jnana: art of the use of lexicography and meters.
58. Vastra­gopana: art of concealment of cloths.


59. Dyuta­visesha: art of knowing specific gambling.
60. Akarsha­krida: art of playing with dice or magnet.
61. Balaka­kridanaka: art of using children’s toys.
62. Vainayiki vidya: art of enforcing discipline.
63. Vaijayiki vidya: the art of gaining victory.
64. Vaitaliki vidya: art of awakening master with music at dawn.








Krishna


Krishna





It is believed that Lord Krishna possesses these arts. After slaying of Kamsa and the thread ceremony, Krishna and Balrama went to the ashram of Guru Sandipani in the city of Avanti (Ujjain).There within a span of 64 days, Krishna learnt fourteen types of sciences (vidyas) and sixty-four arts (kalas).
Lord Krishna holds superficially an ordinary flute in most Hindu scriptural appearance.








Now it is up to the devotees to interpret the meaning of flute with their own view. Even the flute of Lord Krishna is full of all the Kalas and is a symbol of love. In his entire life, lord Krishna only once raised a weapon, that to in the form of wheel during the battle of Mahabharata, to protect the vow of Pitamaha Bheeshma. Otherwise, only the flute was everything for him. Like a magic stick the flute accompanied Lord Krishna all through




Krishna is Bhagawan

Bhagawan is described as one having bhaga or majesty. The bhaga or majesty is described as six-fold –
  1.    omnipotence,
  2. ·       virtue,
  3. ·       glory,
  4. ·       beauty,
  5. ·       omniscience and
  6. ·       non-affectedness

      The full manifestation of all these six excellences is called bhaga. He who is distinguished by these excellences is the Bhagawan. For the Vaishnava Puranas – and the Bhagavata is one such – Mahavishnu, including all his emanations and incarnations, is the Bhagawan.. 

Arts Of Ancient India


Me and My Dharma



Dharma is one’s personal path in life with truth or righteousness, the fulfillment of which leads to the awakening of consciousness.

64 Kala (Art forms) 14 Vidya (Techniques)
Creation is an art gifted to all who are devotees of Bhrahma and this is an art that stimulate the intellect of the most advanced life species on earth; the modern human of this Yuga or millennium.
Skills or Kala means performing art in Sanskrit. It is often mentioned in the classical texts about the Chausath Kalas i.e 64 Kalas (chausath – 64, kalas – arts) which existed in ancient India in Vedic times. The word Kala has been used in wide sense. Dance, drama, literature, fine arts etc. are included in this list of 64 Kalas or 64 Arts. Many arts of ancient India were learnt by woman to make them smart, intelligent, refined and versatile.
The mastery over the many of the 64 traditional arts formed an important basis in the development of an educated individual in many parts of ancient India.
After many invasions of India the education system was also accordingly changed to suit the needs of the invaders. Many ancient literature's were destroyed and the academic system of education was introduced to produce bureaucrats.

To stimulate the intellect, every Hindu child is exposed or should be exposed to arts and techniques which will develop the intellect and finally the aim is to activate consciousness to enjoy a blissful life in recognition of the creator.

There are many rituals and customs that are responsible to activate these arts and even today many follow the Hindu traditions and rituals. Ceremonies and celebrations are in a man’s blood. A celebration, sacrifice, worship or a ritual when turned inward means cosmic identification and awareness. 

Every parent is responsible to expose their children to these arts and in that way, the education given to the children will satisfy the age old Hindu traditions.